Deep Sea Divers in the Urals

Deep Sea Divers installtion at Ural Vision Gallery from 5th Sept 2015 

The Carpet from the Past

Leonid Tishkov. The Carpet of the Past, 2015 and In The Fild of My Father, 2006

installation in Victory of the New Epos exhibition in Academy of Fine Arts, Moscow

Private Moon. Star. Divers

Private Moon installation in "Look Homeward" exhibition in Ekaterinburg Museum of Fine Art

Look Homeward Exhibition

Leonid Tishkov. Look Homeward. Exhibition in Ekaterinburg Museum of Fine Arts

from 26th February until 3th May.

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The Promice of Landscape

Leonid Tishkov. In the Fild of My Father. 2006. b/w photo

"The Promice of Landscape" exhibition in Museum of Contemporary Arts Perm from 10 February to 31 March 2015

 

 

Ladomir. Objects of the Utopia at PROUN gallery



Ladomir. Objects of the Utopia. 2007-2014. Macaroni, bread, glue. Gallery PROUN, Winzavod
on an exhibition "Ode to Food" from December 2th 2014

Private Moon in Nanjing

Private Moon out door installtion on "Waking Dream" show in Nanjing until October 12th

Moon light installations on ICHIHARA ARTxMIX

The Moon of De Chirico, 2011

The Moon of Lorca, 2014

The Moon of Matsuo Basho, 2014, on Ichihara Art x Mix 2014 Japan
 credit “ICHIHARA ARTxMIX” and Photo by Osamu Nakamura

Ladomir in the Sky

Ladomir. Aerospace ships. Installation: pasta, glue, 2007-2014. On the exhibition "Are you ready to fly" in MMOMA april 2014       

Cube of the Eternity

Cube of the Eternity, reconstruction of Malevich's architectones, installation: sugar cubes, glue, album, 2012.
State Russian Museum, St.Peterburg on the exhibition "Actual Drawing"

Playing the Cyrcus

Game Over-Show Must Go On, 2010, installation: sculture of the cloun, manege, video:
fragment Koyaanisqatsi. Life Out of Balance,
 movie by Reggio, music by Philip Glass.
On Playing the Cyrcus in MMOMA from 21th February

LUCIDA Space

Leonid Tishkov. La Luna de Chirico in National Center for Contemporary Arts.
Exhibition of LUCIDA Space

Leonid Tishkov. 7 moons in fair weather, 2011, fragment of the installtion

The Homecoming

Recreation images from bits of the late life, buttons on canvas, The carpet from bronze,
The Mothefather, fabric and photos, 2008

The Suitcase on the father, light object, 2007

Buckets with Light, 2007

Snow angel, installation, fabric, crystal vase, LED, rag carpet, hair, beads,video,sound,1999

4th May 1953, black bread's houses with lights, 2009
on The Homecomig exhibition at H.L.A.M. gallery in Voronezh from 5th June

My Womb

My Womb, soft object crocheted from wear of my late mother, 2007
on THE HOMECOMING exhibition at H.L.A.M. Gallery in Voronezh

Derelict Utopies. Ice Skates Plant

Derelict Utopies. Ice Skates Plant on Innovation exhibition in National Center for Contemporary Art,
until May 5th 20133

The Cube of Eternity

ETERNITY CUBE

“The Eternity Cube” exhibition is a curious exploration in the beginnings of one of the main Kasimir Malevich’s art-patterns – the square, the cube and the  architecton. The installation is actually a reconstruction of the architectons, made of refined sugar cubes, and the album with the drawings - the recreation of Malevich’s biography facts, plus video “The Kasimir’s cube”.

I’ve been thinking of Malevich’s cube mystery, what it is and where had it come from. 12 years have passed from the first time I took a small black representation of eternity in my weak hands. It is a long but very symbolic term: the Dradon year came back and presented me an answer. The answer was hidden in Malevich’s childhood: “like photo negatives are hidden in a case, waiting for being developed”. The black square appeared today on a negative and the picture is glowing with a snow-white refined sugar cube!

The Kazimir’s father, Severin Malevich, took his son to the sugar refining factory, where he was a director. “I was walking with my father on the factory and saw machines, new for those years, fast rotating centrifuges with white sugar in there.” Later he writes: “The color should be destroyed, that means that it should be changed to white.” The factory has been fabricating also refined sugar in square pieces, it has been packaged in amount of 250 pieces in a pack with the name “Tshainiy”. There was always a lot of sugar cubes in Malevich’s family, so Kazimir was surrounded by it from the childhood.

Those times the sugar cube had equal 1,5 sm sides, tight and absolutely snow-white. This geometric “present” of his father was the main pattern in Kazimir’s childhood, was the basic  figure ih his creative space. It was a sugar cube that provoked Kazimir to create Architectons in the future, starting by constructing some buildings made of sugar on his infant table.

In 1915 white sugar cube turned out to be a black negative – “The Black Square”. A little bit later the artist Kazimir Malevich has been using the refined sugar to the unpractical, senseless creating of abstract, architect, nonobjective relationship. That’s how Architectons appeared – “with no price, no function, non-constructive, blind buildings” otherwise Planits.

The Cube of Eternity, exhibition at Krokin gallery from 6th September
until 7th October, 2012.
Research of  the genesis of Kazimir Malevich's Archtectones

Divers from the Heaven and Rag Sun

Installations Rag Sun and Divers

from the Heaven, found wear and photos

of artist's kin, salt, 2004, on exhibition "Life from the End"

of  NCCA and Tula Necropilis from 19th May

We leave home and come back Home.

Everything remained the same in that house

as when we’d left it and yet everything was

different -- it was illumined with the light of

eternity, the light of universal farewell.

In this world of eternal returns any

phenomenon of the present carries

within itself the past and the future,

that is the eternity itself.

Everything here, at the edge of the eternity,

becomes a symbol and is multiplied through

similarities, as a crystal in its matrix, in

the solution of its soul, becomes

overgrown with its past experiences

and turns into a magic creature capable

of expressing its secret thoughts
about the subconscious events
of its innermost life, in the language
of the objects from the external world.
Thus the artist spins a thread out of
the formless cloud of being,

twisting it round the spindle of his

imagination to create his mythological world.