31.12.16
20.11.16
17.10.16
Journey of the Private Moon in Slovakia
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| Journey of the Private Moon in Slovakia. The Moon down in St. James Church in Levoca. All story here Privatemoon |
8.10.16
Ladomir in Astrachan
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| Ladomir, 2006, album in Astrachan Museum of Art. Birds and numerals exhibition dedicated to poet Velimir Khlebnikov. 29 August - 2 October 2016 |
13.9.16
The Moon on red grass
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| The Private Moon under the Spis castle in red grass. She no power for the rising. |
The Moon in Spis castle
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| On the slope barely keeps the moon melts, escaping from barbarians. Many years have passed, and she was still with us, the moon forever. Spis castle. |
4.9.16
Empty sky.
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| I was looking for the moon in the sky, and she was here on earth. Look at the stones, grass and see the light. Spis castle.2016 |
Moon stone. Spis castle.
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| Suddenly the moon shone like a giant opal. Between the stones of the fortress wall. Spis castle. Private moon in Slovakia. 2016 |
31.8.16
Private Moon in Slovakia. Uloza village.
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| On the road from the pub met the moon, I'm taking the celestial body in the old house on the hill. Light will be in the house, unbearably bright. House of poet Erik Groch in Ulozi village. 2016 |
29.8.16
Journey of the Private Moon in Slovakia. Look homeward.
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| Old yard is dark and gloomy. But the moon come dawn from heaven and children fairytale return. Levoca. 2016 |
26.8.16
Private Moon in Levoca. Homage to Magritte
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Private Moon out-door installation in Levoca old town, Spis region, Slovakia.
Private Moon exhibition in Levoca Town Gallery until 30 September, 2016
Photo Leonid Tishkov(1) and Sasha Kupka(2,3) |
4.7.16
Sublime of the Memory
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| Sublime of the Memory. Three levels. 2016. Fabric, photos, crocheting in Sign of Memory exhibition in State Arts Library from 6th July |
10.6.16
Dabloids in NCCA
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| Dabloids installation ,1989, DADA festival in National Center for Contemporary Arts, Moscow until 19 June 2016 |
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| Dabloids |
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| Dabloids, scroll, 1000 cm x 110 cm, paper, ink, acrylic, 1989 |
Light works in MAMM
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| Snowangel and Private moon, 2003 |
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| Buckets with Light, 2009 |
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| Shoes Boxes with Stars, 2009 |
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| Shoes Box with Stars, 2009 |
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| Snowangel,video, 1998 Russian Space exhibition in Multimedia art Museum, Moscow until August 2016 |
5.5.16
Diver Lighthouse
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DIVER-LIGHTHOUSE
LEONID
TISHKOV. BASED ON THE IDEAS OF VERA MUKHINA.
2009-2016.
Bronze, metal, LEDs.
“Diver-Lighthouse” was devised by a famous Soviet sculptor Vera Mukhina
who became widely known for her “Worker and Kolkhoz Woman” monument,
constructed in 1937. The size of the sculpture in a form of the lighthouse was
supposed to reach over 40 meters and be located on the rocky cost of the Black
Sea in Crimea but wasn’t embodied. Contemporary artist Leonid Tishkov
implemented this avant-garde idea as the public art object dedicated to Russian
divers.
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4.4.16
Private Moon in Norilsk
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| Private Moon in the Arctic in Norilsk Art Gallery from 8 April until 22 May 2016. Exhibition "Space Landing" of contemporay russian artist dedicated of 55th anniversary of first flight of Yury Gagarin |
1.3.16
Secret Signs
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| Secret Signs, 1986. Canvas, oil, 70 cv x 60 cm. Exhibition "And even with glasses" by Kovcheg gallery in The Pushkin Museum Prechistinka str. 12/2 from Match 10 until the end of May 2016 |
13.2.16
Look Homeward
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| Look Homeward exhibition until March 1th 2016 in Museum Centre "Peace Square" in Krasnoyarsk. |
23.1.16
Derelict Utopia
Leonid Tishkov.Ruins of Memory: Missa Solemnis from Leonid Tishkov on Vimeo.
Abandoned Utopia: The Ice Skate Factory
Leonid Tishkov
“Abandoned Utopia: The Ice Skate Factory” is an aesthetic, archeological and sociological interpretation of field studies of a ruined industrial landscape of Verkhoturye and creation of an ideal museum from the Ice Skate Factory of Verkhoturye. The exhibition includes multimedia installation “Cathedral of Workers of the Ice Skate Factory”, sculpture “Ever Higher and Higher and Higher!”, video and photographs “Ruins of Memory: Missa Solemnis” and also a documentary film “End of the Working Day”.
“We present an imaginary museum of the Ice Skate Factory as a museum-cathedral of individual people, united by their erstwhile labor at the factory. The industrial era substituted cathedrals for factories, and this process went even further in the Soviet Union, where religion was abolished, and factories were perceived as spiritual and quasi-religious centers. In 1997 the Ice Skate Factory at Verkhoturye was closed. So we have built transparent walls for the cathedral-museum of the Ice Skate Factory in which to house the souls of all those who once dwelled in these shops, stood at the work benches, ground the blades, affixed them to the soles of the shoes, stacked them neatly in boxes, and performed quality control.”
Leonid Tishkov
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