Cubic meter of space

 

Cubic meter of space. 2023. Metal, pait, LED, 100x100x100cm. Tretyakov gallery until 14 January 2024

Metaphysical marriage of the Moon and the Sun

 

Metaphysical marriage of the Moon and the Sun. 2023. Stainless steel, LEDs, rubber, lamps. Exhibition "Light" in Tretyakov gallery until January 14th 2024.

Cube of Space

Site-specific installation Cube of Space, 2023. Malevich park.

 

The Ladder to the Moon

Leonid Tishkov. The Ladder to the Moon. Homage to William Blake. 2022. Site-specific installation, Moscow. Public art program "Here and Now". Photo PR of the Fest Here and Now, Park Zaryadie.

Star KETs. Homage to Tsyolkovsky

 Star KETs, Homage to Konstantin Tsyolkovsky. The Way to the Moon. Setouchi triennale. From 14 April 2022

"The cube of the space" in Setouchi triennale 2022

The Million stars and one star. The way to the moon project. Nabeshima lighthouse

 

The moon Matsuo Basho

From The Journey for seven moons, The Soul of the Tree or moon of Baso,
Kazusa Yamada. Ichihara ArtxMix 2020+ Until 26th December 2021

 

The One Cubic Meter of the Space

19 November 2021 will open Ichihara Art x Mix Trienal in Japan. One installation from seven on the station of Kominato train way "The One Cubic Meter of the Space". 2021 

 

Private Moon in Leeuwarden

 Private Moon mobile light installation in a river of Leeuwarden, Frislandia. LUNA multimedia fest 2021, 30 September - 2 October 

Endless light column, homage to Constantin Brancusi. Cluj. Romania

Endless light column, homage to Constantin Brancusi, metal, wood, acrylic glass, LED, 7m height.  Light installation for Cluj-Napoka, Romania, 2018 was realised in November, reinstalled 2019 on Lights On Romania, Cetatuia Hill.

Private Moon in Oslo

Private Moon mobile installation from 1th until 3th November 2019 on http://fjordoslo.com/

The Sun in Setouchi

"The Moon and the Sun in empty bookshelves". 2019. Acrylic glass, salt, LED, wood. Setouchi Triennale, from 26 April
Shamijima, Sakaide, Seto Inland Sea, Japan.

The star in bed

A star settles on the edge of my bed

she's old and full of cracks, 2003. Light, fish net, metal, neon.

Moon goal

Moon Goal installtion in Taiwan, Taipei City Hall Public Square, 29 May 2018. Heineken Night Event.

Sliced Moon

Sliced moon by Leonid Tishkov at shelves of ex-library of University Sassari. Exhibition No Man's Library / La Biblioteca di Tutti
curated by Zerynthia
The exhibition is part of the triennal project Sentieri Contemporanei promoted by Fondazione di Sardegna with Zerynthia Contemporary Art Fondazione No Man’s Land.
From 10th May 2018
Ex Biblioteca Universitaria, Piazza Università 21, Sassari, Italy
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Artists
Mario Airò / Maria Thereza Alves / Marco Bagnoli / Massimo Bartolini /Gianfranco Baruchello / Elisabetta Benassi / Rossella Biscotti / Katinka Bock Paolo Canevari / Jimmie Durham / Bruna Esposito / Jan Fabre / Matteo Fato Marco Fedele di Catrano / Federico Fusj / Rainer Ganahl / Alberto Garutti gerlach en koop / Laura Grisi / H.H. Lim / Fabrice Hyber / IRWIN / Franz Kapfer / Gülsün Karamustafa / Koo Jeong A / Donatella Landi / Felice Levini / Sergio Lombardo / Mark Manders / Kris Martin / Liliana Moro / Hidetoshi Nagasawa / Matteo Nasini / Olaf Nicolai / Maria Nordman / Luigi Ontani / Luca Maria Patella Luana Perilli / Cesare Pietroiusti / Alfredo Pirri / Michelangelo Pistoletto / Annie Ratti / Gert Robijns / Remo Salvadori / Maurizio Savini / ManfreDu Schu / Roman Signer / Ettore Spalletti / Michele Spanghero / Donatella Spaziani / Leonid Tishkov / Luca Vitone / Erwin Wurm / Zafos Xagoraris

 

Good bye friend of mine

Good bye friend of mine, 2017. Neon, LED, suitcase. Installation in the "The train is arriving" exhibition in Ekaterina foundation from 22 March 2018

The Threadbare Flags of My Radiant Motherland

The Threadbare Flags of My Radiant Motherland

I'm interested in fabric, but not the fabric that is sold in cuts in stores. I’m not into new fabrics, in those fresh clean threads, direct from the machine and soaked in fresh paint. I'm interested in fabric that has been worn, that lived a long life together with its owner. Clothing means a lot in our frigid region, a place where the snow still covers the ground in May, and where in October it's time to put on quilted jackets. Clothes were repaired yes, and they were also inherited. When a person died, their wardrobe was distributed among relatives. And when things became too ragged to wear, they were cut into pieces, which were used to weave rugs or were taken to an old woman to weave floor runners. From this dilapidated fabric, from these worn out rags, people made round crochets that they put on the courtyard floors of their homes. Newer, brighter crochets were put inside the house, at the front door, on chairs, on the couch, at the foot of an armchair and by the bed, to tread on them with bare feet. The floors’ wooden planks, painted with the brown oil paint, were cool to the touch, and made you shiver with the cold in winter. Without these rugs, you could completely freeze your feet, that’s how cold it was in our houses.
My mother used to wake me up on cold dark mornings. I always tried to get dressed right under the blanket, and only after managing that did I get up and have a wash.  The rugs, like colorful warm islands under my feet, kept me warm. Those round rugs seemed to preserve the memory of those many people who used to wear the clothing from which they had been made, clothes that had been torn to ribbons, deemed useless, worn out, or irrelevant after the demise of their owners. Such a rug preserves the memory of the departed and exudes the light of their memory, almost as if it were a digital disc.
These memory laden carpets now lie at the entrance to rooms, greeting those who arrive. They welcome visitors like a round, bright, warm sun. The round rug recalls the main symbol of the Slavs, the solar disk, making such rugs solar symbols. The visitors enter the gornitsa, an elevated room, which was the brightest one in traditional houses, and was said to be where the sun lived, with its windows pierced by the rays of the bright noon sunshine. That is why it is called svetyolka or svetlitsa(the room of light). This room was usually located on the upper floor of the house, where young girls were spinning and knitting, embroidering and cutting clothes, painting, singing songs, and gossiping. The windows, on all four walls, have carved wooden frames; the light is the master here. We leave, but the light remains.

Flag of my Motherland. 2017

Metal, wood, old carpet from family of the artist.

XII Krasnoyarsk Biennale "Word and Village". 

Lightroom. 2017

Wood, glass, neon, LED, windows from late house. 

XII Krasnoyarsk Biennale "Word and Village". 

Photo by V. Dmitrienko

Art Innovation Prize

Look At Your Home in Arsenal NCCA, Nizhny Novgorod. 

Look Homeward

Look Homeward installation at Schusev State
Museum of Architecture from 26 May until 25 June 2017.  Exhibition of Art Innovation Prize

Private Moon in Venice

Private Moon installtion in Palazzo  Soranzo Van Axel "Man as Bird: Images of Journeys", showcases the work of 14 Russian and foreign artists working with different media