The Moscow Museum of Modern Art is
celebrating its 20th birthday and displays exhibits from collections of
different years. Art curator of the exhibition Diana Dzhangveladze tells
about the highlights to focus on.
The Moscow Museum of Modern Art (MMOMA) is celebrating its 20th anniversary with the exhibition ‘MMOMA 99/19' held
on the occasion. Three floors of the mansion on Petrovka now house 20
themed venues created by star art curators displaying exhibits from
collections of different years. The exhibition reflects their
perspectives both on the Museum's holdings and on contemporary art in
particular.
Read in collaborative article by mos.ru and Mosgortur Agency about the exhibition's highlights.
Visiting pages of the past with Oleg Voskoboinikov
The medievalist and translator Oleg Voskoboinikov dedicated his venue to the dialogue of contemporary and medieval art.
'I asked my museum colleagues to choose something medieval
from the holdings, but with a modern twist. I think that the image of a
person in art is a decent topic to discuss together and to address the
audience with. At the same time, I wanted to make a traveller stop in
the middle of the display and tell him: 'Think for a while'. I believe
that this spot is a place to rest, have a break,' he says.
There are just a few exhibits in the History Hall, with 'Composition with a Shovel' by
Andrei Grositsky being one of its highlights. Voskoboinikov invites
visitors to focus on the shovel. The curator points that work has become
both a curse and a blessing for humankind, its fate, and a metaphor for
the earthly path.
'When I took a look at the photo of this picture, I realised that the
shovel can tell the viewer a lot, and put him or her on a better
footing. There is also some optimistic flavour in this work — though it
is a vintage shovel with a broken handle, it looks reliable, it gives a
sense of safety,' he said.
The paintings 'Birds Flying Inside the Head' by Leonid Tishkov, 'Little Witch' by Mikhail Grobman, 'War' by Boris Anisfeld, 'Selfportrait' by
Dmitry Prigov, and Komar and Melamid's urban angels diptych elaborate
on man’s earthly journey. The work embodies the curator's idea that 'We
are born to shovel, but at the end we return to heaven'.
https://www.mos.ru/en/news/item/68038073/ |
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